Studio Artist Spotlight: Exhibition by Rónán Ó Raghallaigh

The Complex is proud to share that studio artist Rónán Ó Raghallaigh is exhibiting new work this August and September at Cultúrlann McAdam Ó Fiach on The Falls Road in Belfast.

TURAIS TAIBHSÍ, an exhibition of paintings exploring themes of sacred Irish spaces, colonialism and folklore.

Location: Cultúrlann McAdam Ó Fiaich, 216 Falls Road, Belfast

Preview: 7pm Thursday 7th August

Runs: 7th August - 11th September

Open: Monday - Thursday 9am- 6pm, Friday- Saturday 9am- 9pm,

Sunday 11am- 4pm

There are sacred places in the land. They hold ghosts. We have disturbed them.

Each painting in this exhibition is the result of a personal pilgrimage to a sacred place in

the Irish landscape. The titles of the paintings are in Irish, honouring the original names of

these places and the memories they hold.

Rónán researched the folklore imbued in these places, their logainmneacha (Irish place

names) and archaeology. He has a personal connection to many of the places visited. He

performed meditations to ‘channel’ the places, like the filí (Gaelic poets) might have done.

Rónán’s research and meditation visions formed a spring for new paintings.

Sacred places are sites of conflict. Their folklore has been overlaid by Christianity. Their

Irish names have been translated. Archaeological finds have been removed. They are

damaged naturally, but some have been purposefully vandalised like at the Hill of Tara.

Some are destroyed by state-approved industry such as quarrying of the Hill of Allen by

Roadstone Ltd. Most sites are on private land. They are often surrounded by Sitka spruce

forests. They prompt ancestral memories at odds with Rónán’s contemporary life such as

his grandfather’s turf cutting on Church Mountain, having never held a ‘sleán’ himself.

The painting method mirrors these conflicts- some parts are deliberately unfinished and

obscured. Visual motifs from various periods of vernacular Irish art are overlaid on top of

each other, blended with abstraction.

Sacred places are where the return of our repressed folklore, customs and language

occurs most potently. What do the gods, spirits and ancestors think of us? This exhibition

remembers half-forgotten deities, historical events, folk customs and family stories in our

environment. It is an exploration of our postcolonial consciousness rooted in land, and

how tending to it might help us heal and navigate the environmental, industrial, spiritual

and social challenges of today.

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Rónán Ó Raghallaigh is an artist from Kildare working with painting, writing and

performance. His practice engages with pre-Christian Ireland as a means for

contemporary postcolonial action. Folklore, history and archaeology rooted in the Irish

landscape form a foundation for research. He is re-learning Irish as an adult which greatly

informs his work.

Rónán graduated from NCAD in 2021 with an MFA Art in the Contemporary World

and has exhibited his work in Ireland and abroad. ‘Turais Taibhsí’ marks his second

solo exhibition in Belfast, having exhibited ‘Vae Victis’ in Platform Arts in 2022.

Cultúrlann Mc Adam Ó Fiaich is an Irish language, arts and cultural centre located at the

heart of West Belfast on the Falls Road. Irish language classes, art workshops, céilithe,

events for young people, concerts and art exhibitions all take place throughout the year.

Rónán is excited to exhibit in Cultúrlann, given its position in an urban centre on land still

claimed by the United Kingdom where Irish was not recognised as an official language

until 2022. As Rónán does not come from a Gaeltacht or Irish speaking home or school

background, he is drawn to how the Belfast Gaeltacht contradicts stereotypical

assumptions of Irish as an unspoilt rural language. It is the perfect place to exhibit these

paintings in their remembrance of pre-colonial ways shared with Britain and other

cultures all around the world, in response to contemporary capitalism, Christianity,

nationalism and colonialism.

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Turais Taibhsí translates to ‘Haunted Pilgrimages’

Image: ‘Cnoc Alúine, Cill Dara,’ ink, watercolour and gouache, 44 x 56 cm, 2025